
Robinson was born and raised in Detroit, Michigan and was nicknamed 'Smokey' as a child, because of his love of westerns. The name originally came when an uncle (who would take a young Robinson to see westerns) gave him the name 'Smokey Joe'. Robinson began being called Smokey whilst in his teens. In 1955, Robinson founded a group he called the Five Chimes with his best friend Ronnie White and Northern High School classmates Pete Moore, Clarence Dawson and James Grice.
By 1957, the group was called the Matadors and included cousins Bobby Rogers and Claudette Rogers in place of Dawson and Grice. With Robinson as lead singer, the Matadors began touring the local Detroit venues. In 1958, Robinson met songwriter Berry Gordy Jr, who co-wrote for them the single 'Got a Job', an answer song to the Silhouettes' hit single 'Get a Job'. The group renamed itself the Miracles and issued singles on both End Records and Chess Records before Robinson suggested to Berry Gordy that he start a label of his own.
In 1959, Gordy founded Tamla Records, which he soon reincorporated as Motown. The Miracles were among the label's first signees. Gordy and Robinson had a synergistic relationship, with Robinson providing a foundation for Motown's hit-making success and Gordy acting as a mentor for the budding singer and songwriter. By 1961, Gordy had appointed Robinson vice-president of Motown Records, a title Robinson held for as long as Gordy remained with the company.
The 1960 single 'Shop Around' was Motown's first number one hit on the R&B singles chart and the first big hit for the Miracles. They scored many more hits over the years, including 'You've Really Got a Hold on Me' (1962), 'Mickey's Monkey' (1963), 'Ooo Baby Baby' (1965), 'The Tracks of My Tears' (1965), 'Going to a Go-Go' (1965), 'More Love' (1967) and 'I Second That Emotion' (1967).
Besides penning hits for his own group, Robinson also wrote and produced hits and album tracks for other Motown artists. Mary Wells had a big hit with the Robinson-penned 'My Guy' (1964), and Robinson served as the Temptations' primary songwriter and producer from 1963 to 1966, penning hits such as 'The Way You Do the Things You Do', 'My Girl', 'Since I Lost My Baby' and 'Get Ready'. Among Robinson's numerous other Motown compositions are 'Still Water (Love)' by the Four Tops, 'Don't Mess with Bill' by the Marvelettes, 'When I'm Gone' by Brenda Holloway, 'Ain't That Peculiar' and 'I'll Be Doggone' by Marvin Gaye, 'My Guy' by Mary Wells and 'First I Look at the Purse' by the Contours.
Fellow singer/songwriter Bob Dylan described Robinson as "America's greatest living poet". Robinson's hit ballads also earned him the title "America's poet laureate of love". Over the course of his almost 50-year career in music, Robinson has over 4,000 songs to his credit.
Smokey Robinson began a low-key solo career while concentrating on his duties as vice president of Motown, releasing his first solo LP, Smokey, in 1973. His first hit single, 'Sweet Harmony' (1973), was dedicated to the Miracles. In 1975, Robinson's solo career went into full drive after the success of the number one R&B hit 'Baby That's Backatcha'. Robinson's 1976 single 'Quiet Storm' and its accompanying album typified a smooth, slow style of R&B that is today called 'quiet storm.' Other Robinson solo hits include 'Cruisin'' (1979), 'Being with You' (a UK number one hit in 1981), 'Tell Me Tomorrow' (1982) and 'Ebony Eyes' (1983); a duet with labelmate Rick James. He also recorded the soundtrack to the film Big Time (1977). His solo songs were better than the songs he wrote with his group: more adult, more mature.
Since then, Robinson has continued to periodically perform and tour. In 2003, Robinson served as a guest judge for American Idol during Billy Joel Week. He issued a gospel LP, Food for the Spirit in 2004. A new album of pop standards from the early 20th century, Timeless Love, was released in June 2006. It was originally recorded with a jazz combo, but strings were added after the fact, giving the album more of a lush sound but removing much of the jazz feeling of the disc.